In 50 percent of the killings of Indian journalists since 2010 there have been no arrests so far. We need to come together to protect our tribe, urge Geeta Seshu and Sevanti Ninan.

With the instant triple talaq been declared unconstitutional, Shoma Chatterji finds it interesting to look back at how the Muslim identity has been represented in Hindi cinema and if it will change now.

Inspired by a recently released movie, Shoma Chatterji explores how the lipstick and burkha establishes a woman’s identity in public spaces and liberates them in private.

If the members of the board were concerned about protecting the academic research character of the journal they chose the wrong person to serve as the editor. Anup Kumar explains

Two weeks into the ban, the question to ask is whether the situation has improved and whether protests in Kashmir have abated. Moazum Mohammad says the answer is no.

Why have the media bought the view that EVMs are infallible when some experts – and the Supreme Court – disagree? Ravikiran Shinde dissects the issue.

Shoma A. Chatterji writes about a film festival that lacks the glitz and glamour of stars, television cameras and paparazzi chasing famous people to freeze them for the media.

While stonewalling their demand to broadcast news, the I&B Ministry has said CR stations can air AIR bulletins instead. Geeta Seshu reports.

Mahasweta Devi remains a writer whose work was almost impossible to express through cinema, writes Shoma Chatterji paying a tribute to the legendary writer and social activist.

Parthajit Baruah, director of documentary The Dhemaji Tragedy – An Undefined Chapter, the tragedy that happened on the Independence Day in 2004 talks to Shoma Chatterji.

The tremendous rage against Pahlaj Nihalani around the Udta Punjab (2016) issue finally resolved by the High Court gives a reason to revisit some memorable deletions and suggestions made by the Central Board of Film Certification (CBFC) over the years, says Shoma Chatterji.

Shoma Chatterji writes about the challenges faced and efforts being made in the Northeastern states of India to encourage and support film making.