Manhole is a scathing celluloid indictment on the state of manual sewer cleaners in India, writes Shoma A. Chatterji.

Will a ‘NO’ from a woman remain ‘NO’? Asks Shoma A. Chatterji while reviewing the movie, Pink.

Parthajit Baruah, director of documentary The Dhemaji Tragedy – An Undefined Chapter, the tragedy that happened on the Independence Day in 2004 talks to Shoma Chatterji.

The tremendous rage against Pahlaj Nihalani around the Udta Punjab (2016) issue finally resolved by the High Court gives a reason to revisit some memorable deletions and suggestions made by the Central Board of Film Certification (CBFC) over the years, says Shoma Chatterji.

Shoma Chatterji writes about the challenges faced and efforts being made in the Northeastern states of India to encourage and support film making.

Debaranjan Sarangi, a documentary film maker, writer and human rights activist was arrested recently in Kashipur, Odisha. Shoma Chatterji writes about Sarangi's arrest, his activism and his films which deal with Adivasis and their struggles.

Shoma Chatterji talks about caste and the portrayal of Dalit in Hindi cinema beginning with Bombay Talkies Achhut Kannya (1936) to Bimal Roy’s Sujata (1959) followed by many mainstream films, and the small-budget, low-key ones which have focused on this significant social issue in the past so many years.

At a time when we're drifting away from Gandhiji and the values he stood and fought for, a film like Gour Hari Dastaan comes as a reminder of what we've lost and forces us to reflect on why. Shoma Chatterji reviews this film about a Gandhian and his fight to prove that he was indeed a freedom fighter.

A 90-second video put together by a group of women activists demands a pop-up statutory warning on screen every time a woman is assaulted or abused. Shoma Chatterji critiques the video, raising several questions over its content as well as the stance that it takes.

Court narrates a compelling story and evolves into a hard-hitting realistic portrayal of the Indian legal system. Shoma Chatterji reviews the film with a deep exploration of all that sets it apart from a regular courtroom drama.

Though based on strong reporting, India’s Daughter remains restricted in its scope, and even strays from its purported objective, thanks to a very pronounced colonial supremacist gaze, writes Shoma Chatterji in a dispassionate review that cuts through the noise.

Qissa: The Tale of a Lonely Ghost, a recently-released feature film,exposes the shocking depths of insanity to which a father may be driven by his obsession with a male heir. Shoma Chatterji reviews the film, underlining the brutal, patriarchal society that it lays bare.