More and more people are considering cycling as an option for their daily commutes to work. Women's participation in this change, however, is still low, and a lot of barriers need to be overcome, writes Sathya Sankaran.
Dr C S Lakshmi, the eminent Tamil feminist writer, who writes under the pen name Ambai, has been a researcher in women’s studies for the last several decades, and is also the Founder Trustee of Sound & Picture Archives for Research on Women (SPARROW), that has undertaken several oral history projects. She speaks to Pratibha Umashankar about a wide range of issues concerning women, including the need to write women back into history.
An ancient matrilineal tribe of northeast India has a thriving culture and an increasing population, while a similarly ancient Dravidian matrilineal tribe is in danger of vanishing. Linda Chhakchhuak reports on what the Dravidian tribe can learn from the northeastern tribe to revive its culture and population.
Naam Poribortito, the debut film of activist Mitali Biswas, reveals the dark and gory underbelly of West Bengal in particular, and the nation at large, where rape victims are denied justice and crusaders are silenced more often than not. Shoma Chatterji has more on the film and its portrayals.
The age-old notions of patriarchy and masculinity, which suppress and disempower women, have an equally damaging effect on men’s behaviour and psyche, leaving them ill-equipped to handle failure. Rimjhim Jain reports.
Sunanda Bhat’s award-winning Have You Seen The Arana is deeply relevant in today’s world, as it explores the deep connectedness between man and nature, and the struggle of little-known people to preserve it in the face of many onslaughts. Shoma A Chatterji reviews the film.
Having drastically curtailed the width of eco-sensitive zones in Sikkim, the MoEF seems intent on ignoring local sentiment as well as environmental norms in order to push forward the Tashiding HEP on the sacred Rathong Chu river. Soumik Dutta reports on the latest in the case.
The leading ladies of Bengali theatre in the late 19th and 20th centuries presented an intriguing portrait of women caught between two worlds, liberated in a way, yet shackled in others. A recent performance as tribute to these artists leads Shoma Chatterji to reminisce their lives and times.
The multi-faceted Gulzar, one of those few personalities revered equally in intellectual literary and mainstream film circles, was recently bestowed the 45th Dadasaheb Phalke Award. In this interview with Shoma Chatterji, the venerable Gulzar Sahib speaks of his art, his career in Indian cinema, and the changes he has seen over the years.
As parties firm up their candidates in various constituencies, several celebrity names - new and old - are doing the rounds yet again. Shoma Chatterji looks at a few examples from the years gone by to question what we may really expect from these star-turned-politicians.
Indian cinema has, of late, witnessed high-decibel debates over the desirability of dubbing Hindi films into regional languages. But does dubbing really pose a threat to vernacular cinema? Shoma Chatterji explores.
The recent judicial pronouncement criminalising homosexuality has created quite a furore, but in reality those with limited or no interaction with people of alternative sexual orientation have only a vague idea of their continuous struggle and challenges. Pushpa Achanta brings us two poignant narratives.